Cassavetes Event

John Cassavetes

#4

Seeing Gena
Description

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#3

Gena and Zoe

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#2

The Kiss

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A visionary and a true independent, John Cassavetes had already created an indelible body of film work with such searing dramas asFaces, A Woman Under the Influence and The Killing of a Chinese Bookie when he undertook what was perhaps the most ambitious project of his career. In 1981 he set out to write, direct and produce three interconnecting full-length plays in repertory, funding the endeavor entirely on his own and presenting them at a Hollywood theater that he and his co-conspirators refurbished themselves.

With his eyes on an artistic prize that had nothing to do with monetary gain, Cassavetes refused millions of dollars from the fledgling cable industry to tape the plays, and an offer to take the production to Broadway was likewise spurned. And so the performances of Three Plays of Love and Hate, starring Gena Rowlands, Jon Voight and Peter Falk,went unrecorded, except in reminiscences of the participants and mostly negative reviews.

But thanks to Steve Reisch, an actor and photographer who became part of the Three Plays troupe, we have a visual chronicle of the pre-production phase, an intense period of rehearsal, improvisation, writing and rewriting that Reisch likens to “a master seminar on life and acting.”

Reisch’s photographs, displayed in the Center Theater during the play’s run but otherwise unseen by the public for 34 years, illuminate a relatively unexplored chapter in Cassavetes career. More than that, though, they tap into the emotional depth and electricity of his working process with a rare intimacy.

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The gritty landscape of The Bronx and Queens as the backdrop to my childhood queued up my life as a visual and interactive artist; a career in acting exposed me to photography, and the experience of a new medium opened new opportunities. My history with the camera began with shooting head shots for fellow actors, then models, and onward to a prosperous business in portraiture and event photography.

Growing up in New York City, my daily interactions with an abundance of urban characters paired harmoniously with the films of John Cassavetes. Like many, I developed a deep, personal connection with him and his works before our paths ever crossed. This connection became a reality in 1981 when we first met in the lobby of the Center Theater in Hollywood, where I expressed my desire to document his triad of stage productions: “Three Plays of Love and Hate.” Later, I was cast in a co-star role in one of the plays “Third Day Comes.” This first meeting still stands as a pivotal moment in my acting and photography careers.

I, through the eye of my Canon AE-1 camera, I witnessed John as he wrote, directed, produced and redesigned the theater to best showcase his “Three Plays of Love and Hate, “starring his wife Gena Rowlands, his friend Peter Falk, and the acclaimed Academy Award winning actor Jon Voight.

Bringing these images into public view, not seen since the final curtain went down in 1981, has been a dream of mine since their inception. Their exhibition is purely a celebration of the unprecedented experience we all had in the creation of these plays in 1981. In sharing the photos with a new generation of filmmakers and artists, we have the opportunity to bring to light the passion, intensity, artistry and sublime human wisdom with which Cassavetes’ legacy is woven and intrinsically immortalized.

Steve Reisch is a working photographer who currently resides in Sherman Oaks, California with his wife Ivy, and their daughter Johna who is a recent UCSB graduate.

#1

Gena & John Relationship dynamics. John passionately clarifying life's mysteries as Gena calmly takes it all in.

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